Tuesday, October 25, 2011

Flavia's Ghost Reads from the Book of Judith



in this possible scene, Flavia reads the controversial book of Judith in the Old Testament, dealing with the fabled Hebrew general, the widow Judith, who slew the oppressor of her people, Holofernes, by cutting off his head. in this section, Judith essentially tells the elders - the male elders - to grow a new set.

in the movie, Indigo (Sapna Gandhi) possibly would lip sync her grandmother's voice reading in Italian, while the ubiquitous ghost of Flavia haunts the background.

Sunday, October 23, 2011

Flavia's Ghost




green screen sketch for my video performance art feature, which layers reality, memory, fantasy, desire and delusion in the story lines of the two main characters, a mother and daughter at war with each other and their own disappointments while the ghost of a famous female ancestor haunts them - or, taunts them. whether the ghost is real ultimately will depend on the viewer.

Thursday, October 20, 2011





this is another study for my movie in-progress, "Indigo Lady" (a solo play by Nena St. Louis, staged in 1995 at the Lorraine Hansberry Theatre), about a serial murderer who murders the men she loves when they disappoint her. i'll be working with my talented gal pals Sapna Gandhi (Indigo) and Diana Slampyak. Tyler Cohen is creating the basic design of the settings. the movie will largely be based on Rashomon-type storytelling - i.e., monologues improvised by the 3 main actors (the third is the only man who survives, a detective who investigates the husbands' disappearances). (Indigo's trophy wife mom). Nena St. Louis play the ghost of Indigo's great grandmother, the founder of a ranching empire in Western Nebraska.

to interweave fact/memory/fantasy/illusion that are the stuff of each character's version of what happened, i will be using montages in a lot of the scenes. right now, i'm having a lot of fun creating video "sketches" while Tyler creates the real ones.

Sunday, October 9, 2011

Study for 'Indigo Lady': The Homicide Investigation




An exercise showing Detective Donald's POV as he familiarizes himself with his prime suspect's neighborhood on his initial investigation of Russell's disappearance and possible murder and Indigo's paranoia about men and grim hatred of Russell, who raped her on their wedding night, as well as her madness and macabre sense of humor.

Saturday, October 8, 2011

Detective Donald opens his investigation


Once an actor is cast for the role of the homicide detective, Indigo's love interest Donald, I hope to use Nebraska footage as a backdrop for some of Donald's monologues.
Gmail                                                                                     sylviatoyindustries Lewis

Indigo Lady

sylviatoyindustries Lewis  Sat, Oct 8, 2011 at 6:48 AM
To: Sapna Gandhi, Diana Slampyak
Cc: indigomilazzo@gmail.com, tyler cohen
Ladies:

First, please add Indigo's email to your contacts. If you're wondering, Milazzo was an old boyfriend's last name (Mee-la-tso). Indigo's mother, Violet, named her daughter after her favorite color; I named her that because indigo is ancient and used to be highly valued and precious.

Although there is a script, we will be improvising, and the story will be based on Violet's and Indigo's monologues. We will work one on one at first, and when we know what the story is, we'll schedule shoots with all the cast/crew involved in particular scenes. Since I know how to do this now and have a more complete kit, every scene will be produced - i.e., designed, lit, sound-teched and testshotted. We will have a plot, but this movie ultimately is a feature-length video performance art piece. And that is something I'm an expert at!

Tyler, let me know when is a good day to meet this month. Chris and I have story conferences every Monday night until the 'Keskarel' script is completely done, but I have no other commitments except for day job. Sapna and Diana, your first monologues will be based on what follows:

Indigo
Daddy was the most ambitious Milazzo since Flavia Milazzo made the family fortune.  He was a butcher and a rancher; and he opened Flavia, Nebraska’s first supermarket, Blue Girl’s, on my tenth birthday.
Early that morning, hours before the opening day ceremonies, I woke up under the frilly white canopy over my bed and saw Daddy grinning.  He pointed to a ruffled, lacy blue organdy dress and blue patent leather slippers that lay on the end of my bed.  And then he placed a crown of artificial columbines on my head. her father makes her take baths in milk to lighten her skin
Blackie
  Happy birthday, Princess.
I felt as magically beautiful as Flavia Milazzo in the painting at City Hall.  I didn’t mind the stiff fabric scratching my skin.  I was so excited I could scarcely wait to get dressed and go into town.  But my mother came into my room wearing a narrow, lavender linen shift.  Her crazy black curls were pulled into a thick pony tail that stretched her white face across thin, flat cheekbones and slanted her eyes.
Violet
  Are you helping her get dressed, Blackie?
Indigo
  Mommy!  Mommy!  I look just like Flavia Milazzo.
Violet
  Are you?
Blackie
  It’s her birthday.
Indigo
Mommy!  Daddy says I’m a princess.
Violet
Don’t you think she’s old enough to dress herself?
Blackie
Jealous of your own daughter?  Or me?
Violet
She’s old enough to dress herself.
And then Mommy smelled Daddy’s fingers; and Daddy shook his head.  But Mommy got hysterical anyway.  She always got hysterical if Daddy and I were alone.  It took her an hour to calm down before we could leave the house.
The opening day ceremonies for Blue Girl’s market began at noon with parade down the main and only paved street in town all the way to the new store, which stood on the most official block in Flavia, Nebraska between City Hall and Flavia Milazzo’s house.  My father and I waved to the crowd from the back seat of a red Mustang convertible.  I got to cut the shiny, blue eight-inch ribbon tied on the steel and glass doors of the most modern structure that ever had been built in Flavia, Nebraska.  The crowd sang me ‘Happy Birthday.’
I was quite pleased with the progress of my tenth birthday party as I greeted the crowd and handed out pieces of the five by five foot sheet cake that had been shipped all the way from a bakery in Lincoln.  Daddy stood under a tree smoking cigars with the mayor.  My mother sat near me on the lawn in front of the store, eating her cake.  She glared at me over her plate.
Violet
You’re cutting those pieces too big, Miss Priss.
Blackie
She’s having fun, Violet.
Violet
She’s too young, Blackie!
Blackie
Did you want to cut the ribbon, Violet?
Violet
You’re going to be sorry you spoiled this child.
Blackie
She’s a beautiful girl, Violet.  Men will always spoil Indigo.
Violet
Yes, Blackie, she is beautiful.  But she’s strange.  Men don’t like strangeness in women.
I had the feeling she was about to get hysterical again.  I told my parents I had to go to the bathroom.  But I didn’t go to the bathroom.  I sneaked next door into Flavia Milazzo’s house.  It was the first time I was here by myself.  This tiny house--as frail and thin-skinned as the old matriarch herself must have been when she died at 109. 
I forgot my mother had the floors redone.  The stink of varnish pierced my nostrils.   She ruined the floors!  How could she make them shiny?  Those spindly legged tables and chairs weren’t shiny.  Those bald Persian rugs with ragged fringe weren’t shiny.  It smelled so bad in the house; I thought I might be able to throw up--the varnish fumes mixed with the smell of roasting meat.  I heard men yelling at each other about spitting the pig.
I'd never seen a pig spit before.  Smoke rose from a pit which had been dug in the middle of the store’s gravel parking lot.  Several men stood around the pit, positioning a pale, stiff pig with a heavy stick running from its mouth in front through its asshole.
My mother was such a weakling.  She was so squeamish that she never touched raw meat without wearing rubber gloves.  She wouldn’t even let me come into the kitchen while she cooked.  This was the first time I’d ever seen raw meat.  I wanted to see more!  I ran outside.
Indigo
  Daddy!  Daddy!  I saw the pig!
That was the day I decided to become a butcher.  I wasn’t afraid of meat--I was a Milazzo.
Daddy never let me butcher anything larger than a goose until my fifteenth birthday.  That’s when he let dress the star of my birthday barbecue, a young boar.  Butchering the pig created a weird mixture of feelings in me--the thrill of carving an animal as large as I was, the horror of feeling its warmth and fleshiness; and the uneasiness of dissecting what seemed too familiar to kill.
That night, I woke up from dreaming that I was a pig, and that somebody tried to slice open my abdomen.  I had a searing pain in my crotch, and I felt something warm and wet on the inside of my thighs.
Indigo
  Blood!  AAAAAAAAAAAH!
My parents ran into my room, their gaping eyes and mouths mirroring my own terror.  I told them about my dream.
Violet
  No more knives!
Blackie

  Don’t get hysterical, Violet.  We just won’t be cutting any more pigs, that’s all.
Indigo
  I don’t want to butcher anything small!
Blackie
  No cattle, young lady.
Indigo
  If you won’t give me anything larger that a suckling, I just can’t be a butcher.
It’s just as well that I decided not to be a butcher anymore--as soon as I started menstruating, boys followed me around. 


Thanks, ladies.

--



This video is a study in layering related events to explore how suspense, paranoia and unanswered questions create different layers of emotional response, any and all of which can compel action. This video is one of a series in my development of the visual concept for Indigo Lady, the story of a female serial killer in rural Nebraska. I was limited by a fever while working on this and used my malaise to shoot with the mindset of one who's cooped up in an environment dominated by a malfunctioning TV that's somewhat anthropomorphized.